spw.quest

Pivot a line

Change one slot, keep the rest, and see the line before you go. Forms, side by side shows what each slot does.

The line

~revise[arrival]{voice, scene, turn}

a line you wrote

  • new
subject
~revise
mode
arrival
body
voice, scene, turn

An operator in front

  1. ~
  2. ?
  3. !
  4. *
  5. .
  6. ^
  7. #
  8. @
  9. &
  10. =
  11. %
  12. $
Add to what it holds

Families it belongs to

24 lines one change away

Drop a slot to read what the line says without it.

near: a line sharing a slot uses it · common: common on the shelf

charge the charge in front

  1. boon ~revise[arrival]{voice, scene, turn}

    add boon

    • add
    lands
    Not on the shelf yet.
    why
    a valence word rides the word

subject the word

  1. folio[arrival]{voice, scene, turn}

    swap to folio

    • swap
    • common
    lands
    Not on the shelf yet.
  2. theory[arrival]{voice, scene, turn}

    swap to theory

    • swap
    • common
    lands
    Not on the shelf yet.
  3. principle[arrival]{voice, scene, turn}

    swap to principle

    • swap
    • common
    lands
    Not on the shelf yet.
  4. practice[arrival]{voice, scene, turn}

    swap to practice

    • swap
    • common
    lands
    Not on the shelf yet.

mode the lens

  1. ~revise[prime]{voice, scene, turn}

    swap to prime

    • swap
    • common
    lands
    Not on the shelf yet.
  2. ~revise[hook]{voice, scene, turn}

    swap to hook

    • swap
    • common
    lands
    Not on the shelf yet.
  3. ~revise[component]{voice, scene, turn}

    swap to component

    • swap
    • common
    lands
    Not on the shelf yet.
  4. ~revise[depth]{voice, scene, turn}

    swap to depth

    • swap
    • common
    lands
    Not on the shelf yet.
  5. ~revise{voice, scene, turn}

    drop the lens

    • drop
    lands
    Not on the shelf yet.
  6. ~revise{voice, scene, turn}(arrival)

    turn its walls to ( )

    • walls
    lands
    Not on the shelf yet.
    why
    the lens becomes the scene
  7. ~revise{voice, scene, turn}<arrival>

    turn its walls to < >

    • walls
    lands
    Not on the shelf yet.
    why
    the lens becomes where it goes

body what it holds

  1. ~revise[arrival]{invite}

    swap to invite

    • swap
    • near
    lands
    Not on the shelf yet.
  2. ~revise[arrival]{open.sit}

    swap to open.sit

    • swap
    • common
    lands
    Not on the shelf yet.
  3. ~revise[arrival]{transfer}

    swap to transfer

    • swap
    • common
    lands
    Not on the shelf yet.
  4. ~revise[arrival]{orient}

    swap to orient

    • swap
    • common
    lands
    Not on the shelf yet.
  5. ~revise[arrival]

    drop what it holds

    • drop
    lands
    Not on the shelf yet.
  6. ~revise[arrival](voice, scene, turn)

    turn its walls to ( )

    • walls
    lands
    Not on the shelf yet.
    why
    what it holds becomes the scene
  7. ~revise[arrival]<voice, scene, turn>

    turn its walls to < >

    • walls
    lands
    Not on the shelf yet.
    why
    what it holds becomes where it goes
  8. ~revise[arrival]{voice.scene.turn}

    hold it as one name

    • turn
    lands
    Not on the shelf yet.
    why
    dots inside one brace make one name the parser keeps whole
  9. ~revise[arrival]{voice;scene;turn}

    hold the parts in order

    • turn
    lands
    Not on the shelf yet.
    why
    semicolons put the parts in a sequence
  10. ~revise[arrival]{voice ~> scene ~> turn}

    make the parts a path

    • turn
    lands
    Not on the shelf yet.
    why
    ~> carries each part on to the next without collapsing them

projection where it goes

  1. ~revise[arrival]{voice, scene, turn}<receipt>

    add receipt

    • add
    • common
    lands
    Not on the shelf yet.
  2. ~revise[arrival]{voice, scene, turn}<china>

    add china

    • add
    • common
    lands
    Not on the shelf yet.

Constructs · Specimens · Take one line apart · Learn it a mark at a time