spw.quest

Pivot a line

Change one slot, keep the rest, and see the line before you go. Forms, side by side shows what each slot does.

Change it here too: the line it was stays behind as the way back.

The line

^principle{one.two.three}

a line you wrote

  • new
subject
^principle
body
one.two.three

Take it apartFeel it at restOpen it on the canvasWhat each slot is

An operator in front

  1. ~
  2. ?
  3. !
  4. *
  5. .
  6. ^
  7. #
  8. @
  9. &
  10. =
  11. %
  12. $
Add to what it holds

Back to principle{one.two.three}

Families it belongs to

20 lines one change away

Drop a slot to read what the line says without it.

near: a line sharing a slot uses it · common: common on the shelf

charge the charge in front

  1. boon ^principle{one.two.three}

    add boon

    • add
    lands
    Not on the shelf yet.
    why
    a valence word rides the word

    Pivot from hereTake it apart

subject the word

  1. folio{one.two.three}

    swap to folio

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  2. theory{one.two.three}

    swap to theory

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  3. principle{one.two.three}

    swap to principle

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  4. practice{one.two.three}

    swap to practice

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

mode the lens

  1. ^principle[prime]{one.two.three}

    add prime

    • add
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  2. ^principle[hook]{one.two.three}

    add hook

    • add
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

body what it holds

  1. ^principle{open.sit}

    swap to open.sit

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  2. ^principle{transfer}

    swap to transfer

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  3. ^principle{orient}

    swap to orient

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  4. ^principle{rail}

    swap to rail

    • swap
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  5. ^principle

    drop what it holds

    • drop
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  6. ^principle(one.two.three)

    turn its walls to ( )

    • walls
    lands
    Not on the shelf yet.
    why
    what it holds becomes the scene

    Pivot from hereTake it apart

  7. ^principle<one.two.three>

    turn its walls to < >

    • walls
    lands
    Not on the shelf yet.
    why
    what it holds becomes where it goes

    Pivot from hereTake it apart

  8. ^principle[one.two.three]

    turn its walls to [ ]

    • walls
    lands
    Not on the shelf yet.
    why
    what it holds becomes the lens

    Pivot from hereTake it apart

  9. ^principle{one,two,three}

    hold the parts together

    • turn
    lands
    Not on the shelf yet.
    why
    commas keep parts apart and present at once

    Pivot from hereTake it apart

  10. ^principle{one;two;three}

    hold the parts in order

    • turn
    lands
    Not on the shelf yet.
    why
    semicolons put the parts in a sequence

    Pivot from hereTake it apart

  11. ^principle{one ~> two ~> three}

    make the parts a path

    • turn
    lands
    Not on the shelf yet.
    why
    ~> carries each part on to the next without collapsing them

    Pivot from hereTake it apart

projection where it goes

  1. ^principle{one.two.three}<receipt>

    add receipt

    • add
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

  2. ^principle{one.two.three}<china>

    add china

    • add
    • common
    lands
    Not on the shelf yet.

    Pivot from hereTake it apart

Constructs · Specimens · Take one line apart · Learn it a mark at a time